February 2010: Album #4 “The Musical”


Dyatlov front cover
Liner notes from the 2010 album:

“The Dyatlov Pass Incident Demos”

An attempt to get down all of the melodies and songs for a two-hour musical based on the mysterious events known as the Dyatlov Pass Incident.

Act One

The stage is split similar to Cyprus – actually exactly like Cyprus with Kyrenia in the North and Limassol in the South – except that unlike Cyprus, this stage is a stage and is split down the middle. On stage left, Yuri Yudin sits at a pub drinking vodka; on stage right, the town of Vizhai and the Mountain of the Dead loom. Yuri tells the barkeep again about the day his friends and he left for the Dyatlov Pass. The action is simultaneous, the past literally playing out during Yuri’s recollection in jagged countermelody. The orchestra should be small and out of tune, sounding more cluttered than composed. The violins should creak more than comfort; the guitar stagger more than strum. Obviously, any timpani would be ideal.

Timpany not included on the “The Dyatlov Incident Demos.”

The Songs:

“Nine Friends”
Igor Dyatlov leaves his house and rounds up the characters for his hiking trip by telling them about an apocalyptic adventure full of danger and terror.

“Chocolate”
Lyudmila Dubinina is comforted and romanced by Alexander Zolotarev when they meet at the base of the Mountain of the Dead.

“One Foot Follows The Other”
A marching song livens the spirits of the group as the climb becomes difficult.

“Tell Me of Strong Men in Brooklyn”
Rustem Slobodin, now out of earshot of Vizhai, tries to rally anti-Soviet sentiment and entertains his comrades with ridiculous stories about how wondrous life is in New York City, USA.

“The Restaurant With No Name”
As a tangent of what it was like to leave his friends, Yuri tells of a girl that left him heartbroken. But like the girl, the melody of the song has been lost to time, and its performance packs no emotional value other than confusion.

“Angels”
As heavy snow falls and the campers prepare to sleep through the night, Igor sings his friends a lullaby.

“Snow Falls”
Angels, unholy things with tarry feathers and beak-like overbites, watch over the campers with black unfocused eyes and sing as the snow envelopes the tents and the stage fades to dark.

End of Act One

Act Two

Opens with Yuri still at the bar. The camper’s tents are already ripped open and destroyed, four bodies visible, frozen beneath a tree and others strewn around the theater, bodied and dead. As the act begins, Yuri is approached by Lev Ivanov, a short government agent with a suitcase stuffed full of files.

“The Bawdy Myth of Lev Ivanov”
Lev tells Yuri a crude joke, or reveals classified information about corrupt politics, in a misguided effort to cheer him up.

“Finding Bodies”
Lev reads details from when the bodies of Yuri’s friends were found. And Yuri imagines first the search party then his friends dying in slow motion, moving backward.

“Unknown Compelling Force”
Once they’re moved all the way backward, Yuri’s friends explode from their tents and die in real time, as if in front of his very eyes.

“Disappear”
Yuri laments that the worst thing about not knowing what happened to his friends is that he can’t blame it on anyone and wishes that he wasn’t around to try to figure it out for himself.

“One Foot Follows the Other” (reprise – Not included on the Dyatlov Incident Demos)
An old flame, hearing of the disaster finds Yuri and attempts to comfort him when asked how he’s been, he responds with the old marching song.

“Mountain Top”
Yuri sings about how time has passed him by and makes his decision to return to Dyatlov Pass to try to lose the ghosts of the past.

“Nine Friends” (reprise – Not included on the Dyatlov Incident Demos)
The monument is unveiled and the town of Vizhai sings about the place that all illicit adventures end.

“Ain’t Nothin'”
This song has no relationship with the plot at all. I apparently recorded it one night this month at 1:23 AM after drinking wine with friends.

The Dyatlov Pass Incidentals (not included in demo album)
Four instrumentals to be played during scene changes, as the director sees fit.

The one thing I’ll ask God, when I meet my end
Is what the hell happened to all of my friends?

– Yuri Yudin

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February 2009: Album #3 “The Questionable Taste Album”

Original email/liner-notes to undisclosed recipients:

What is this shit?

Every year for the past three years, I have spend my February recording at least 30 mins and 10 songs worth of music. None of it is particularly good, but since you are old friends and made music with me at some point, I thought you might enjoy hearing what I made this month.

Regardless of the train wreck that I have created, I had a hell of a good time making it.

There are two sides to this album. The first acoustic and the second not as acoustic. Apparently that was the thing to do. I’d only rate 2 songs as COMPLETELY UNLISTENABLE and the rest as EARNEST BUT SLOPPY. Only one is WINCINGLY BIGOTED. There is murder and torture included. No alcohol was dranken (sic) during the making of the album, no matter what the singer says.

The Rotten Fucking Liars are a wrecking crew of local professionals for whom I have the utmost respect and gratitude. These are the people you want to go sailing with and take to a sewer. They have strong stomachs for incompetence. Their parents raised them on books like “Meatmeal” and “The Little Engine that Did Once and Then Wouldn’t Stop Talking About It.” They grow up under power lines and laugh hardest at things that aren’t real. There isn’t a tricky part of their wardrobes. They show up late, and if they don’t see you tight now, they will never ever think about you. Most of them have fractured fingers and the distinct inability to confuse birthdays. They need something that tells them where they are and constant reminders to be a good friend. They are going places and it’s a pleasure to be around when they pass.

They include:
Nate Lineback – Guitar (two tracks)
Noah Poole – Bass, Mandolin, Back up vocals, Drums (six songs)
Jeff Freeman – Back up vocals (one track)
Paul Whitener Jr. – Drums (two tracks)

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February 2007: Album #1 “The First Album”

From an email in 2007 to undisclosed recipients:

Hey all,

I have finished my album in a month. Should I have been a musician, I would be concerned about the fact that the songs need bass and drums and sometimes lyrics and sometimes melodies. Since I am not, I’m pretty pleased to break the 35 minute mark. I feel that the album starts and finishes well but gets lost in the middle tracks. If you hit a track that sounds like noise, don’t feel bad about skipping it.

If you never listen to the album at all, also don’t feel bad.

If you only want to listen to one or two songs, I’m most partial to 1, 3 13, and 14. But those songs sound the most alike, so they may not be enjoyable listening right in a row.

I hope you are all well. Something to consider: George Bernard Shaw once said, “The reasonable man adapts himself to the conditions that surround him. The unreasonable man adapts surrounding conditions to himself. All progress depends on the unreasonable man.”

Jeff

 

Download the songs here (they won’t be in order).

Album Title: An Collection of Ideas that Awkwardly Seem to Interrelate But Never Entirely Come Together (with apologies to Randy Newman)

Track order and titles:

1. stolen advice for people who arent young anymore but also cant grow up
2. a song for being stuck in traffic on a dreary day in a city where no one speaks the same language as you do and you really have to go to the bathroom
3. I do (adieu)
4. Let me introduce you to my friend. He just wants to be single right now but he’s very flattered.
5. right here
6. mountain top
7. stolen for me
8. never counting on you again blues
9. crunch of ice 2 2
10. dog
11. playing with something expensive that belongs to my dad
12. tomfoolery banjo
13. cursed (live)
14. stolen for yourselves